The article examines how social media, particularly YouTube, frame the representation of identity, place, and performance. Social media, with their reliance on algorithmic infrastructures, transform these representations into (hy-per)versions of the self, non-places, and performances of performances. The very fact of being produced, circulated and consumed via social media places them in the broader context of late capitalism.
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Blaž Bajič (Sat,) studied this question.
Blaž Bajič
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