Based on the previous investigation results, this article investigates the ’Du khang of Gung ’phur Monastery in sPu rang, mNga’ ris, identifying the images and corresponding inscriptions on its four walls and interpreting the meaning of the murals. The study concludes that the murals were executed in the Water-tiger year (1602), with involvement from the local king and his minister, as well as native donors and painters from neighboring Nepal. A comparative analysis with relevant temples in sPu rang and Ladakh reveals that the murals reflect the popular themes of the ’Bri gung bka’ brgyud school in Western Tibet from the mid-16th to the early 17th century. As such, the murals attest to the spread of the school in mNga’ ris, and provide first-hand materials for research on the history and royal family of sPu rang around the 17th century.
Yunyun Liang (Thu,) studied this question.