The confession, as its name suggests, presents the personal, and often private, experience of the author, as we see in Rousseau’s well-known confessions which intend to expose his private self to public scrutiny. Bell’s confessional writing, however, is employed as a rhetorical means to serve his public purpose of political theorizing, since what the author intends to emphasize is not his private world, or even his personal experience as “a minor bureaucrat,” but to explore “the inner workings of Chinese academia and to draw implications for China’s broader political system” (3). Instead of a chronological reckoning of the history of the author’s life as an academic leader, Dean from Shandong has singled out several interconnected topics as a series of recollection of events Bell experienced in his five-year deanship to illustrate what he perceived as the important aspects of the Chinese culture in general and academic life in particular. The first-person narration, with its self-mocking style, foreshadows his intention behind the narrative, namely, his way of doing political theorizing as a political scientist. According to Northrop Frye, the confession is “introverted” and “thematic.” 1 Bell’s confessions seem to be more thematic than introverted, “I invoke my personal experience only if it sheds light on social and political life in contemporary China, with its contradictions, diversity, and charm” (18).
Ellen Y. Zhang (Thu,) studied this question.