This article explores Mihail Aslan’s volume of poetry Late Geometries, Rejected through the prism of an in-depth psychoanalytic reading. The text highlights how the poetic work constitutes an expression of deep psychic processes, centered around the concepts of early trauma, narcissistic deficit, and failure of the primordial environment. Through theories by authors such as Winnicott, Anzieu, Green, and Kristeva, the article reveals how Aslan’s creation functions as a transitional space, in which a complex dialectic takes place between Eros and Thanatos, between the constitution of the self and its waste. Writing thus becomes an act of psychic survival, a way to metabolize the traumatic experience and to reconstruct an inner geometry, albeit “late” and “rejected”.
Simona Trifu (Tue,) studied this question.