The Knoxville International Energy Exposition, held in 1982, was the first world’s fair in which the People’s Republic of China (PRC) participated. Shortly after the rapprochement between the PRC and the United States, the erection of the Chinese Pavilion in Knoxville overlapped a ‘honeymoon’ period of the two nations, marked by growing political and architectural exchange after decades of isolation. This article argues that the Chinese Pavilion at the Knoxville fair materialises China’s enthusiastic yet discreet interaction with the US during moments of diplomatic sensitivity, economic uncertainty, and shifting ideological positions in the 1970s and 1980s. Constructed at the height of the Cold War, the pavilion symbolised the PRC’s diplomatic success in rebuilding its relations with the Western Bloc, while the realisation of the pavilion was challenged by sensitive political issues, China’s limited budget, and a lack of exhibits. Under China’s new Reform and Opening-Up policy, the building also marked a turning point in pavilion design for the country in international events, with a significant shift of focus from overt ideological promotion to a self-orientalised cultural display through the pavilion’s design process. It illuminates a key moment in the architectural history of modern China when the nation’s growing self-awareness of its global image prompted its officials, exhibition planners, and architects to reconsider the relationship between pavilion design and the architectural profession.
Yinrui Xie (Sun,) studied this question.