This paper examines the cinematic portrayals of ascetic women within contemporary film. Historically, the early desert fathers and mothers are venerated figures who embody a life of ascesis—spiritual discipline amidst the deserts of Egypt, Palestine, and Syria. Renowned as spiritual mentors and referred to as Abba (father) for men and Amma (mother) for women, they exemplify a way of Christian life rooted in ascetic practice. Their teachings, preserved in texts such as The Sayings of the Desert Fathers, offer profound insights into Christian spiritual praxis. This spiritual praxis has been vividly depicted through iconography and asceticism continues to hold reverence, particularly within Eastern Orthodox Christianity, where it serves as the basis of spiritual–liturgical life. While the core goal and meanings of asceticism have been conveyed through ascetic iconography and aesthetics, cinematic portrayals of ascetic life and ethos remain a relatively under-researched area. The focus of this study is on the film A Cross in the Desert, adapted from a literary source, which dramatises the hagiography of St. Paraksevi the New, also known as Sveta Petka and St. Paraskevi of the Balkans (Epivates 944–1012). Through the analysis of film language, this paper aims to shed new light on the ways in which iconographic language has been translated into cinematic language, assessing the ways in which women ascetics have been depicted from a contemporary perspective. The film’s representation of a woman ascetic offers valuable insights into the conceptualisations of the notion of gender as a virtue—embodying sanctity—and potential site of desecration—representing iniquity—as these are experienced as both embodied and spiritual realities. The study offers an analysis of how cinematic language operates, focusing on the visual techniques used to depict the intersection of gender, holiness, and spiritual discipline, thereby contributing to a deeper understanding of how film functions as a medium for engaging with complex religious and gendered identities. The analysis of film will provide novel understandings of how cinema depicts and challenges gender within the context of asceticism, exploring how these representations influence contemporary perceptions of women’s spirituality.
Milja Radovic (Fri,) studied this question.