This article studies the strengthening of the audience factor in Uzbek national singing and its impact on the performance process based on a critical-analytical approach. The study systematically analyzes the impact of the audience factor on the performance form, musical structure, repertoire selection, and artistic criteria. The aesthetic and methodological problems arising as a result of the audience's demand becoming the main determining factor in performance are identified, and the need for a balanced approach to the preservation and development of national singing is scientifically substantiated.
Huriyat Isroilova (Mon,) studied this question.