The blackface photographic series Negro utópico (2001) by the Afro-Colombian artist Liliana Angulo underscores the role of racial impersonation in the enunciation of a black geography amid Colombia’s turn toward multiculturalism. Negro utópico is embroiled in an act of Black place-making as part of Viaje sin Mapa , the first art exhibit focused on blackness in Colombian art.
Danielle Roper (Sun,) studied this question.