The management of invasive alien species (IAS) generates large amounts of plant waste biomass that is commonly disposed of by burning or destruction, leading to environmental and economic drawbacks. At the same time, the production of synthetic dyes and pigments used in printing and graphic applications remains a significant source of pollution. In this context, the valorization of IAS biomass as a source of natural colorants represents a sustainable alternative aligned with circular economy principles. Here, biocompounds and natural dyes were extracted from four invasive or non-native plant species—Arundo donax, Phytolacca americana, Tradescantia fluminensis, and Eucalyptus globulus—using five solid–liquid extraction methods: infusion, infusion with heat, thermal agitation, Soxhlet extraction, and ultrasonic-assisted extraction. Extraction efficiency and color preservation were comparatively evaluated. Although Soxhlet extraction provided the highest extraction yield (up to 30.5%), infusion with heat proved to be the most suitable method for preserving color integrity and minimizing oxidation. Liquid dyes obtained by the selected extraction method were converted into solid pigments through a lake pigment precipitation process using aluminum potassium sulfate and sodium bicarbonate. The resulting pigments were characterized in terms of chemical composition, particle size, and chromatic properties, and subsequently formulated into oil-based inks using linseed oil as binder. Scanning electron microscopy revealed pigment particle sizes ranging from approximately 2.1 to 8.3 µm, depending on the plant source, and confirmed adequate ink penetration and distribution on commercial printmaking paper. The obtained pigments exhibited color tones ranging from yellow to brown and grey, mainly associated with the phenolic and tannin content of the original biomass. Printing tests demonstrated the suitability of the developed inks for manual printmaking techniques, highlighting the potential of IAS-derived pigments as sustainable alternatives for artistic and printing applications.
Iglesias et al. (Tue,) studied this question.