Neither the yearning to live in the arid desert, nor the bitter struggle for survival in a land scarce in resources, stripped the Arab of his humanity; on the contrary, this existential struggle transformed into an epic of twofold pride. From this convergence of belonging to the group and individual self-respect was born the "Hero of the Desert" that unique archetype that unites these two opposing forces in a symphony of pride and dignity. This composite image, which recurs in pre-Islamic poetry, was not merely a description, but rather a confirmation of the identity of the noble Arab who sees in the combination of these qualities a perfection that warrants pride. This research draws on the collected poetry of the Banu Tamim tribe by Dr. Abdul Hamid Mahmoud Al-Mu'aini, in addition to a wide range of linguistic and historical sources that are critically examined throughout the text. The research adopts a descriptive and analytical methodology, beginning with an introductory section that outlines the tribe’s identity and highlights its historical and literary significance in antiquity. This research was divided into two main sections, The first examines manifestations of individual pride in the poetry of Banu Tamim, analyzing the ways in which poets articulate self-glorification through refined linguistic expression and rich rhetorical imagery, reflecting a clear continuity with pre-Islamic poetic traditions.The second section focuses on collective pride, demonstrating how the poet functions as the authoritative and resonant voice of the tribe, articulating its values, achievements, and collective identity.
Doaa Ali Abdulhussein (Sun,) studied this question.