This article examines Ava DuVernay’s series When They See Us (2019), as a powerful critique of systemic racism and a reimagining of Black masculinity in American media. It argues that by dramatizing the wrongful conviction of the “Exonerated Five,” the series exposes how racialized narratives within the justice system and mainstream media construct Black male identity through criminalization and fear. Drawing on the works of Ronald Jackson, Saidiya Hartman, Michelle Alexander, Angela Davis, bell hooks, and Khalil Gibran Muhammad, the analysis explores how DuVernay dismantles the scripts of “criminalized masculinity” while foregrounding what this article terms a “resilient identity.” Through close readings of key scenes, the study demonstrates how When They See Us humanizes its subjects, portraying the victimized quintet as both vulnerable and strong.
Songui Candice Bamba (Sat,) studied this question.