Abstract The social and political upheavals that rock our world are rarely treated in the world of contemporary ‘art music’ composition. Popular music reaches a larger public and seems more at ease in addressing these themes. But is it intrinsically linked with such content in its musical expression, or only through its lyrics? Would art music, for its part, lose its ‘purity’ by abandoning its stance of abstraction in approaching these subjects? This article draws on examples from my works Kein Licht (2017) and Lab.Oratorium (2019). Kein Licht , a ‘Thinkspiel’, imagines a future in which humankind’s appetite for energy consumption has led our species to the verge of extinction. The semi-staged Lab.Oratorium addresses the humanitarian crisis of immigration into Europe. Both works reflect the evolution of traditional genres (opera, oratorio) with theatrical elements.
Philippe Manoury (Sun,) studied this question.