Addressing the prevalent issue of “physical preservation but spiritual silence” in the revitalisation of China’s national industrial heritage, this study proposes and empirically validates a “dual-track narrative” design framework that systematically translates cultural values into spatial experiences. The framework integrates a “figure–history” narrative, which crystallises historical lineage and symbolic spirit through spatial sequences, commemorative landmarks, and authentic remains, with a “scene–activity” narrative, which transforms former production spaces into dynamic, culturally vibrant stages through ecological restoration displays, industrial landscape transformation, and flexible activity implantation. Using Nantong Guangsheng Oil Mill as a single-case study, the research employs qualitative methods including archival analysis, field observation, and semi-structured interviews to examine how the dual-track framework operates in practice. The findings reveal that the “figure–history” narrative manifests in a walkable “time corridor” along the north–south axis, where architectural remnants from different eras are organised to materialise Zhang Jian’s industrial salvation ethos and the collective memory of generations of workers. Meanwhile, the “scene–activity” narrative activates underutilised spaces—such as the repurposing of acid treatment ponds into constructed wetlands and paved grounds into public stages—enabling ongoing cultural production, community interaction, and ecological healing. The study demonstrates that the dual-track framework bridges the historical and contemporary dimensions often treated separately in heritage practice, establishing a systematic “translation mechanism” from cultural decoding to design intervention. Theoretically, it contributes to industrial heritage research by integrating narratology, memory studies, heritage interpretation, and situationism into a coherent design methodology. Practically, it offers decision-makers evaluation criteria beyond the preservation-versus-development binary, provides designers with a mode of creative transformation grounded in material authenticity, and suggests to operators a content-driven, event-based model for sustaining heritage spaces. By spatialising and eventising narratives, the dual-track approach enables industrial heritage to function as a catalyst for cultural identity, social vitality, and economic sustainability, offering a transferable paradigm for the adaptive reuse of industrial heritage in contemporary urban contexts.
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Yang et al. (Tue,) studied this question.
www.synapsesocial.com/papers/69d895486c1944d70ce0644c — DOI: https://doi.org/10.3390/buildings16071457
Zhenyu Yang
X. H. Li
Qi An
Buildings
Beijing Institute of Technology
Beijing City University
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