Abstract This article investigates how autocratizing regimes instrumentalize the cultural domain to manufacture consent, assert societal dominance, and socialize oppositional actors into authoritarian logics. In contexts of competitive authoritarianism, memory politics becomes central not only to the incumbent’s efforts to legitimize power and construct hegemonic narratives of citizenship, identity, and history, but also to the opposition’s attempts to propose alternatives. Drawing on fieldwork, curator interviews, and audience responses, the article analyzes two large-scale centennial exhibitions held in İstanbul in 2023 and 2024 that offer contrasting portrayals of the Turkish Republic – one Islamist–authoritarian, the other liberal–Kemalist. Despite clear ideological differences, divergent aesthetic approaches, and distinct target audiences, both exhibitions rely on exclusionary, state-centric framings that inhibit critical or pluralist engagements with the past. The article argues that this convergence signals a deeper transformation: the autocratization of the cultural field, wherein even oppositional institutions internalize authoritarian norms and practices. In this context, history is staged as spectacle – either triumphant or nostalgic – narrowing the cultural imagination, consolidating incumbent power, and diminishing spaces for meaningful contestation.
Kerem Öktem (Fri,) studied this question.