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introduction To improve ourₖnowledgei. aboutrelevant criteria for good concert halls we followed different orchestras on tour in Europe and the U. S. A. By judging recordings. listening during the tours and discussions with mslciens we were able to Appreciate the influence of the concert hall acoustics on the same music in different halls. Combined with our own experiences as consultant: of concert halls we tried to relate the subjective appreciation of the acoustics of
HERINGA et al. (2024) studied this question.