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March 2, 2026European Journal of Arts0 citationsOpen Access

The “Experimental” Stage of Musical Minimalism

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KAKhaydarova Farangiz Azamatovna

Key Points

  • The aim is to assess the role of the experimental stage in the development of musical minimalism, focusing on its independence from classical minimalism.
  • Analysis of musical works from the late 1950s and early 1960s
  • Historical context examination of musical minimalism
  • Comparison with classical minimalism
  • Identifies the experimental stage as a distinct period in musical minimalism
  • Highlights key works and composers from this era
  • Suggests implications for understanding the evolution of minimalist music

Abstract

this article reconsiders the “experimental” stage of musical minimalism in the late 1950s and early 1960s as an autonomous phase in the formation of the movement, rather than merely a “prehistory” of so-called classical minimalism.

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Cite This Study

Khaydarova Farangiz Azamatovna (2026) studied this question.

synapsesocial.com/papers/69a52dd3f1e85e5c73bf0fe8https://doi.org/10.29013/eja-26-1-43-46
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