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September 10, 2025Church archaeology.0 citations

Iconographic representations of mortality and resurrection in 17th-century Gloucestershire

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KOKirsty Owen

Key Points

  • The study reveals the complex symbolism of mortality and resurrection in Gloucestershire gravestones, challenging previous assumptions.
  • In-depth analysis of gravestone design highlights how individual monuments convey unique messages about death and resurrection.
  • This work employs a comparative approach to understand the stylistic evolution of symbols, focusing specifically on Gloucestershire monuments.
  • Findings suggest a reinterpretation of the chronological relationship between death’s head and cherub images in English memorials.

Abstract

Research into the representation of death and resurrection on gravestones has given relatively little attention to the place of the death’s head and cherub on English monuments in church and churchyard, with most enquiries focusing upon Scotland and New England. Gaps in the English evidence caused by decay and destruction have encouraged the imposition of a stylistic chronology established at a distance from the material under study. This paper considers the configuration of symbols of mortality and resurrection on the memorials of Gloucestershire. It seeks to uncover reasons for their use, interpreting each monument in terms of its individual design and positioning. It also challenges the established chronological progression from death’s head to cherub and the presumption that images of mortality and resurrection were presented in deliberate contrast with each other."

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Cite This Study

Kirsty Owen (2006) studied this question.

synapsesocial.com/papers/68c19aad9b7b07f3a061c4c3https://doi.org/10.3828/1081898
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Also Consider

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  5. 5Chopping and changing’: exploring the Willoughby carved cadaver memorials at St Leonard’s Church, Wollaton, Northamptonshire2015