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March 3, 2026Journal of Medieval and Early Modern Studies0 citations

Construing the Boundaries of Madness in Early Arabic Literature: Majnūn's Marvelous Poetry

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AKAllison Kanner-Botan

Key Points

  • Majnūn's madness positions him uniquely in the spectrum of contemporaneous poets, leading to poetic marvels.
  • Profoundly impacted by historical discourses, his narrative reveals societal perceptions surrounding madness and sanity.
  • Biographies of Majnūn illustrate the complexity of madness, intertwining with themes of lovesickness and poetic expression.
  • The analysis highlights the construction of a madman archetype, underscoring cultural and literary implications.

Abstract

This article examines the function of lyric poetry by demonstrating how prosimetric sources portray an insane poet. It argues that the earliest biographies of the poet, lover, and madman Majnūn (ca. 688) reveal how the boundary between madness and rationality is socially constructed, and how early Arabic literature navigated that boundary by construing a poetic madman who was to be marveled at from a distance. Drawing from historical discourses on madness in early Islam, medical ideas about lovesickness, and mad and disability studies, it shows how the biographies indicate that Majnūn's madness placed him beyond the normalized madness of contemporaneous poet-lovers due to his “going wild” tawaḥḥush among beasts before insanity leads him to death. Rather than frame Majnūn as exemplary or nonexemplary, the biographies articulate how this unruly madness causes Majnūn's poetry to become a marvel, demonstrating how anecdotal explanation crafted a model response to lyric poetry's ideal of love.

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Cite This Study

Allison Kanner-Botan (2026) studied this question.

synapsesocial.com/papers/69a75c2ac6e9836116a24bafhttps://doi.org/10.1215/10829636-12217680
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