Abstract: Śūdraka’s Mṛcchakaṭikam is a remarkable classical Sanskrit drama that vividly depicts the social and political life of ancient Indian civilization. Unlike mythical or heroic tragedies, this play depicts urban life in a realistic manner, concentrating on regular residents, disadvantaged groups, and intricate interpersonal connections. Mṛcchakaṭikam highlights societal stratification, gender relations, economic situations and ethical principles. Courtesans, merchants, servants, gamblers, and criminals play important roles in the story, emphasizing society’s diversity and dynamic dynamism. The drama emphasizes the dignity of women, particularly Vasantasenā, who demonstrates moral integrity, independence and emotional depth despite her social station. On the other hand, Mṛcchakaṭikam criticizes tyranny, corruption and misuse of authority. King Pālaka’s oppressive rule and state official’s mistreatment demonstrate political instability and moral deterioration in government. In contrast, the restoration of justice under Āryaka emphasizes the ideal of virtuous kingship anchored in dharma. The play’s representation of political injustice and social misery implies a strong relationship between ethical government and societal peace. This research examines how Śūdraka uses theatrical realism to express social critique and political consciousness. The study examines major characters, settings, and themes to show that Mṛcchakaṭikam is a significant socio-political text reflecting contemporary circumstances and humanistic principles in ancient India, rather than just a love drama.
Anupam Mondal (Wed,) studied this question.