This article analyses the iconographic cycle of the Sacristy of the Virgin in the Basílica del Pilar, with the aim of unveiling the complex system of visual symbols present in its bas-reliefs. Through a typological and exegetical approach, the study examines the various Marian representations, highlighting their connection with Old Testament, Patristic, Scholastic, and Baroque traditions. The research demonstrates how these visual emblems embody the principles of Divine Motherhood, purity, Co-Redemptrix, and the Virgin’s spiritual superiority. Furthermore, it explores the relationship between the carvings and hermeneutic and emblematic literature, revealing how tradition and devotion intertwine to configure a genuine Baroque iconographic breviary. The findings allow for an interpretation of Mary not only as an object of worship but also as a theological paradigm and aesthetic model of divine perfection, thus offering a comprehensive vision of Baroque Mariology and of the didactic and devotional function of the Sacristy of the Virgin.
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Esther Ortiz (Thu,) studied this question.
www.synapsesocial.com/papers/6975b24dfeba4585c2d6dbdd — DOI: https://doi.org/10.3390/rel17010126
Esther Ortiz
Religions
Universidad de Zaragoza
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