ABSTRACT This work synthesizes a novel, complete framework for engineering dynamic balance—from quantum metaphor to macroscopic perception—and demonstrates it through a groundbreaking musical composition. We present: 1. The BSPP Theory, founded on the 167ms temporal lattice (τ₀) as a perceptual quantum. Its five axioms formalize “Biao” (expansive) and “Sha” (consolidative) as macroscopic superposition states and encode Eastern Five-Phase (Wu Xing) logic into a deterministic topological algorithm. 2. The Quantum Sugarcane-Lattice Composition Method, a direct derivation. It structures time into 167ms cells, populates them with “Quantum Dual-State Acoustic Units” (QDAUs), and governs interaction via a strict ≤3dB/≤τ₀ Five-Phase constraint algorithm. 3. The engineered artifact, The JinWu: Mars Expedition, a cyber-physical sonic vehicle. It implements the method via a “One-Core, Five-Wings” architecture, triggering a measurable “perceptual phase transition” in the listener, thereby closing the loop between theory, algorithm, and sensory impact. This work provides the first silicon-compilable (42-LUT FPGA), neurosynchronizable (6Hz EEG phase-lock), and artistically validated unification of Eastern systemic philosophy and Western computational engineering. It is a prototype for a new discipline: Sensory Physics Engineering.
Wenjia Jiang (Mon,) studied this question.
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