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February 27, 2026International Journal of Cultural Studies0 citations

Rethinking the “K” of K-pop: How non-Korean K-pop groups negotiate identity between the Korean market and globalized industry

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HZHongyu ZhuJTJingwei TangZZZizhong Zhang

Key Points

  • This research aims to explore how non-Korean K-pop groups navigate their identities within both the Korean market and the global industry.
  • Analysis of non-Korean groups Blackswan and EXP Edition
  • Examination of their strategies for engaging with Korean and global audiences
  • Assessment of identity negotiation in relation to cultural and industry expectations
  • Non-Korean groups adapt to linguistic and cultural demands of Korean audiences
  • Engagement with global pop aesthetics allows for flexible identity expression
  • Negotiation processes reinforce existing racial and cultural hierarchies

Abstract

K-pop's globalization has introduced non-Korean idol groups, raising questions about identity negotiation. This study examines Blackswan and EXP Edition , analyzing how they navigate cultural boundaries and industry expectations. Negotiating with Korean audiences demands linguistic proficiency, adherence to the trainee system, and alignment with Neo-Confucian ethics, while global engagement requires flexible language-switching, global pop aesthetics, and character reinvention. While these groups may expand K-pop's reach, they can also reinforce racial and cultural hierarchies. Their negotiation remains constrained by identity discipline and nationalist ideology. This study highlights the complexities of identity negotiation in local and global K-pop. Meanwhile, it offers a conceptual framework for understanding cultural hybridity in K-pop that integrates macro-level policy, meso-level transnational cultural flows, and micro-level fan participation.

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Cite This Study

Zhu et al. (2026) studied this question.

synapsesocial.com/papers/69a13591ed1d949a99abf8f9https://doi.org/10.1177/13678779261425696
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