Drawing as a tool of investigation has almost always been used to study the formal and spatial qualities of an architectural work, whether built or remaining on paper. Only rarely, however, drawing has been used to reinterpret certain architectural works belonging exclusively to the domain of painting. This is the case with Giotto's illustrations reinterpreted by Luigi Moretti in 1928.
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Alessandro Brunelli (Thu,) studied this question.
Alessandro Brunelli
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