Purpose This article explores the space of representation from a media theory perspective, using the architectural and performative work of Diller Scofidio + Renfro as a case study. It argues that representation is a co-constructive practice that actively shapes the cultural, social, and spatial dimensions of architectural practices. Design/methodology/approach Drawing on Siegert's conceptualization of the space of representation, selected examples from DS + R's work are analyzed through the categories of setting, operation, and media. The analysis focuses on representational techniques and actions, with particular attention to collages, experimental drawing and hybrid media. This framework examines how representation operates and reveals the relations, positions, and power dynamics embedded in the space of representation. Findings The analysis demonstrates that in architecture, representation often precedes the represented, whether an idea, object, building or large-scale urban project, and that the frameworks through which design is conceptualized fundamentally shape its outcomes. Experimental and hybrid approaches show that representation is not merely a tool but an active and co-constructive practice. Originality/value This article contributes to critical approaches in architectural representation that have evolved since the performative turn. While this field has been actively discussed, the role of media within the space of representation remains underexplored. By shifting emphasis from what is represented to how representation operates, the article emphasizes the conditions through which representation becomes decisive within architectural practices.
Karadağ et al. (Wed,) studied this question.