The Untameability of the Sacred: Votive Traditions at Notre Dame de Lourdes and El Santuario de Chimayó

This article compares divergent votive practices at Notre Dame de Lourdes in France and El Santuario de Chimayó in New Mexico. Lourdes’ embrace of modern aesthetic values—simplicity, order, and functional clarity—has led to the removal and tight regulation of most ex-votos. By contrast, Chimayó’s roots in Latin American Baroque aesthetics, with its emphasis on abundance, drama, and hybridity, create space for a vibrant proliferation of offerings. Drawing on Jacques Rancière’s theory of aesthetics and politics as the “distribution of the sensible,” the article shows how aesthetic judgments intertwine with clerical power to curate, constrain, and authorize pilgrims’ access to the sacred.