The article defines decorative drawing as a unique type of artistic creativity that functions in the field of spatial arts and graphics, constituting a methodological combination of academic drawing and decorative graphics. The need to form dualistic visual thinking in the artist is substantiated, which involves the ability to first conduct a constructive analysis of an object from nature, and then consciously transform it into a conventionally planar graphic language. The term « decorativeness » is considered, attention is focused on architectonicity as a fundamental principle that ensures internal systematicity, logic of the work and stylistic integrity. Stylization is studied as the main artistic method of decorative processing of a natural image. The methods of stylization are analyzed: generalization, abstraction and transformation. It is established that in planar compositions, rhythmic organization becomes the main mechanism for controlling attention, compensating for the conscious rejection of aerial perspective. The universality of the methodological principles of decorative drawing for modern technologies is emphasized.
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Марущак et al. (Mon,) studied this question.
www.synapsesocial.com/papers/69c772938bbfbc51511e331b — DOI: https://doi.org/10.31652/3041-1017-saae-2025.1.15
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