Much of the foundational work on small-nation screen industries in Europe was developed when linear broadcasting was the norm. Digital distribution and subscription video-on-demand business models have since reshaped sector dynamics. This study examines whether existing frameworks still capture the dynamics shaping audiovisual sectors in small nations. The findings show that the small-market perspective remains a useful analytical framework in a multiplatform environment as many of the established patterns of smallness persist in the streaming age. However, streaming also reshapes traditional definitions of small-nation broadcasting and screen sectors and reveals important qualitative differences among European small markets, opening up new opportunities to overcome some of the constraints of smallness.
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Domazetovikj et al. (Wed,) studied this question.
www.synapsesocial.com/papers/69d895796c1944d70ce0683c — DOI: https://doi.org/10.1177/17496020261441478
Nino Domazetovikj
Tim Raats
Karen Donders
Critical Studies in Television The International Journal of Television Studies
Vrije Universiteit Brussel
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