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April 14, 2026nauka me0 citations

The image of a serial killer in culture: harm or benefit? A legal analysis of Thomas Harris’s novel The Silence of the Lambs and the Eponymous film by Jonathan Demme

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ATAnna Tugolukova

Key Points

  • The aim is to examine the impact of serial killer images on mass culture and public perception.
  • Analysis of the novel 'Silence of the Lambs' and its film adaptation
  • Exploration of how real serial killers influence fictional representations
  • Interdisciplinary approach incorporating legal and cultural critiques
  • Identified significant romanticization of serial killers in media
  • Demonstrated public resonance and controversy surrounding these portrayals
  • Highlighted negative implications for public consciousness and societal attitudes

Abstract

This scientific article is devoted to the discussion of the influence of real serial killer images on mass culture. Such images have great popularity in culture and are present in books, films, and TV series. Often authors draw inspiration from criminal history and base their storylines on actual crimes committed by serial killers. Typically, such works feature an excessive romanticization of these characters, which causes public resonance and numerous controversies. According to societal opinion, cultural mechanisms lead authors to transform the activities of serial killers into objects of mass interest, thereby influencing the formation of public consciousness with a negative orientation. In connection with this controversial issue, this scientific article was created to demonstrate why authors attract significant attention to maniacal characters, placing them at the center of the plot. The object of scientific research is the novel “Silence of the Lambs” and its film adaptation, through which the role of the serial killer image in culture will be determined using interdisciplinary methodology tools.

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Cite This Study

Anna Tugolukova (2025) studied this question.

synapsesocial.com/papers/69ddd9f9e195c95cdefd75c5https://doi.org/10.18254/s241328880036267-7
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