Sinning for Freedom: Kierkegaard’s Influence on The Picture of Dorian Gray

In Oscar Wilde’s “The Picture of Dorian Gray,” societal constraints and existential anxieties collide, forcing characters like Dorian and Watton down tragic paths. This article explores how their struggles mirror Søren Kierkegaard’s philosophy, particularly his concepts of “first sin” and “inwardness.” Through a nuanced analysis, we delve into the characters’ anxieties stemming from past transgressions, their flawed pursuits of freedom, and the consequences of neglecting self-reflection. Dorian’s reliance on external beauty epitomizes Kierkegaard’s concept of “mental derangement,” highlighting the dangers of neglecting the inner self. Conversely, Watton’s cynical worldview exemplifies the absence of “inwardness,” leading him to manipulate Dorian and further exacerbate his anxieties. As Dorian’s portrait becomes a grotesque reflection of his choices, the narrative underscores the interconnectedness of morality, self-discovery, and freedom. This study ultimately offers a deeper understanding of Wilde’s masterpiece, revealing how Kierkegaard’s existentialism illuminates the complexities of human nature, the yearning for liberation, and the pitfalls of neglecting the inner self.