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April 22, 2026The Cambridge Journal of Postcolonial Literary Inquiry0 citationsOpen Access

El Otro Lado: Díaz and Saldívar Navigate Transamericanity

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GTGerald Torres

Key Points

  • The essay aims to explore how Junot Díaz’s fiction reflects the influence of colonial history and power on identity and belonging.
  • Close reading of Junot Díaz’s stories
  • Interdisciplinary framing using diaspora and decolonial theories
  • Comparative literary analysis with authors like Gloria Anzaldúa
  • Díaz illustrates how coloniality affects intimacy and community
  • Characters depict struggles shaped by historical forces
  • 'Decolonial love' emerges as a form of resistance in marginalized contexts

Abstract

Abstract This essay explains how Junot Díaz’s stories show the lasting impact of colonialism and dictatorship on everyday life, especially for immigrants and their children living between cultures. I argue that struggles over belonging, love, and identity are shaped by history and power even when characters do not name those forces directly. I interpret Junot Díaz’s fiction as an account of “the other side”: a peripheral perspective produced by migration, racialization, and the enduring afterlife of colonial violence. Dominican and U.S. histories, especially dictatorship, imperial entanglements, and postindustrial economic restructuring, shape the motives, relationships, and moral horizons of Díaz’s characters. Methodologically, the essay combines close reading with interdisciplinary framing: using diaspora theory to parse displacement, decolonial theory (via the concept of coloniality) to track the persistence of power/knowledge hierarchies, and comparative literary analysis to set Díaz alongside Gloria Anzaldúa and Rudolfo Anaya. Díaz’s “third place,” language, and genre play (fabulism, fantasy/science fiction) render colonial history as lived structure. Díaz shows how coloniality distorts intimacy, masculinity, and community through both material constraint and epistemic domination, and that “decolonial love” names a fragile but real form of resistance and healing. I conclude that colonialism is first a material enterprise whose cultural residues persist, and that reading the “carnality of knowledge” in Díaz clarifies how agency can emerge, even in exile, as a world-making practice.

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Cite This Study

Gerald Torres (2026) studied this question.

synapsesocial.com/papers/69e866ad6e0dea528ddeb171https://doi.org/10.1017/pli.2026.10009
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Also Consider

Synapse has enriched 5 closely related papers on similar clinical questions. Consider them for comparative context:

  1. 1José David Saldívar on Junot Díaz, or the Half-Life of the Coloniality of Power in Peripheral-Modern Writing2025
  2. 2Loving Atomically: On Díaz’s Migrant Aesthetics2025
  3. 3The Domestic Worker in Latinx Fiction: The Discursive Formulation of Latinidad2025
  4. 4An Extraordinary Ride to the Other Side : Border Fantasies and ‘Fuckeries’ in the Context of Sanctioned Crossings2025
  5. 5The ubiquitous ocean: naval conquest, forms of citizenship, and attempted emancipation in Junot Díaz’s The Brief Wondrous Life of Oscar Wao2026