This publication was created within the creative case studies’ of PACESETTERS Project, funded by Horizon Europe, Research and Innovation Action, in order to test innovative ideas to set the pace of the climate transition and to assess strate- gies to push the pace of the climate transition. Specifically, the topic of this investigation focused on Decentralised Architecture: Sustainable re-industrialization by translating avant-garde strategies into main-stream production The collected interviews focus on the intersec- tion of digital knitting technology, sustainability, and innovative fashion business models. We opened up these conversations with practitioners to explore how digital knitting machines, particu- larly those capable of wholegarment production, offer a low-waste alternative to fast fashion, enabling on-demand and short-supply chain manufacturing. The main area of discussion is the challenges of breaking away from traditional in- dustry structures, such as the pressure of infinite growth and the difficulty of promoting quality, ethically produced goods over cheap, mass-mar- ket items. Furthermore, the discussions came to highlight the importance of collective, knowledge-sharing approaches to manufac- turing and design, moving beyond the notion of the solitary creative, and the po- tential for knitting technologies to be applied in other fields like architecture and interior design, particularly when using locally sourced materials like coarse wool. Several barriers though, are preventing a new ecosystem of production based on “create - sell - produce” (instead of create-produce-sell) from becoming more widespread even if the technologies are available. It’s a chain of small gaps that add up. Taken together, these interviews reveal a constellation of situated experiments that position local contexts as critical sites for rethinking knitted manufactur-ing. Rather than proposing a single model, they articulate a plurality of practicesin which innovation is primarily procedural, embedded in how tools are shared, workflows are adapted, and value is generated in relation to place and commu- nity. Echoing Ezio Manzini’s notion of cosmopolitan localism and Ernst Friedrich Schumacher’s call for human-scale economies, these approaches gain renewed relevance through digital fabrication technologies that allow advanced manufac- turing to operate beyond metropolitan centres. In such contexts, digital knitting and related tools support the re-valorisation of local skills and material knowledge while enabling new forms of economic viability. By making these practices more visible, this series aims to open space for dialogue, collaboration, and mutual recognition, while signalling to policy makers the im- portance of supporting forms of innovation that may seem peripheral yet play a decisive role in countering rural depopulation and fostering more sustainable local economies. Finally, these interviews seek to offer young designers concrete evi- dence that alternatives are not only conceivable but already being tested, while al- lowing practitioners to recognise shared challenges, and perhaps feel less isolated in navigating them.
Zoe Romano (Tue,) studied this question.