PulseExploreJournal ClubDebatesTrendingResearchersJournals
Instagram
HomeExploreJournal ClubTrending
Synapse
⌘+K
Synapse
April 30, 2026Democratic Theory0 citationsOpen Access

Response to Critics

View Full Paper
AAAli AslamMount Holyoke CollegeJSJoel SchlosserBryn Mawr CollegeDMDavid McIvorColorado State University

Key Points

  • The central aim is to explore democratic practices through the genre of romance, offering innovative perspectives on democracy.
  • Engaging with critics and their essays to refine arguments about democracy and its narrative forms.
  • Employing a playful, unconventional writing style to evoke democratic themes.
  • Expanding democratic archives beyond conventional Western perspectives.
  • Highlighting the tension between traditional democratic narratives and the myth of Earthborn Democracy.
  • Identifying the importance of incorporating diverse stories and archetypes for a richer understanding of democracy.
  • Emphasizing that critiques often focus on the limitations of democracy, neglecting its potential for thriving and survival.

Abstract

We are deeply gratified by the constructive and generous engagement with our book.We are especially moved to be in dialogue and company with this group of scholars, whose work has helped us develop and push our own thinking.In our response, we want to address some of the questions and provocations offered in the individual essays.To begin, our goal was to write a romance.By this, we mean that we chose the genre of romance to carry our argument for democracy in a moment of seemingly incessant crises and doubts in and about the forms of democracy that are prevalent today.Although we do not explicitly identify this genre in the book, it informs our somewhat playful, suggestive, and purposefully unconventional approach to writing about democracy.Hence, our emphasis on myth, rituals, the collective unconscious, morphic fields, and-ultimately-our methodological choice of practicing what we refer to as visionary political theory.One of our key goals was to expand the archive beyond the one that democratic theorists typically invoke, by enlarging our imagination of democratic practices beyond the "West" and the modern timeline that sees Philadelphia and Paris as steps along the inevitable march to democracy's state today.Every approach has its limits, so we are grateful to our reviewers for pointing some of these out.First, William Connolly illuminates a limitation of romancing democracy in his emphasis on bumpy temporalities and turbulence in political imaginaries.These forms of disorder challenge the assumption of smooth, progressive, or linear developments that might be implied by terms like the collective unconscious, species resonance, and, as we argue following Sheldon Wolin, the "recurrent aspiration" for democratic power in the life of the human species.We believe that the myth of Earthborn Democracy (EBD) can include less pacific stories and archetypes, like the Windigo story.As retold by Robin Wall Kimmerer in her Braiding Sweetgrass, the Windigo represents the ever-present possibility of greed and hunger coming to corrupt and overtake patterns of mutuality and cooperation in a political community.Such examples in the long archive of democratic practice are legion and resonant very powerfully today.And yet (and too often in our estimation), the emphasis on the frailties of democratic forms of life crowds out the abundance of strategies, possibilities, and stories of democratic survival and thriving.In the book, we seek to provide a structure of

Ask AI
Helpful
Bookmark
Share
View Full Paper

Cite This Study

Aslam et al. (2026) studied this question.

synapsesocial.com/papers/69f2f0e31e5f7920c6386e5fhttps://doi.org/10.1017/s2332889426000096
Ask AI
Helpful
Bookmark
Share
View Full Paper