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May 3, 20260 citationsOpen Access

THE BIRTH OF THE CLINIC: ASHRAMS, AKHADAS, AND DEATH-RESIDENCES ( Varanasi) AS REGIMES OF CARE AND OBSERVATION

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RRR. Ramesh

Key Points

  • The essay aims to explore the spatial and epistemic structures of care in Varanasi's sacred institutions, particularly through Foucault's concepts.
  • Engaged with Foucault's theories and applied them to Kashi Labh Mukti Bhawan and Anandamayi Kanyapeeth in Varanasi.
  • Conducted visual culture analysis using works by Robert Gardner and Dayanita Singh along with original fieldwork photographs.
  • Developed original concepts like disciplinary faithscape and supervised threshold space to interpret institutional functions.
  • Identified the functions of death-residences and ashrams as regimes of organized observation rather than mere devotional sites.
  • Defined the disciplinary faithscape as a sacred space focusing on the evolution of the devotional body over time.
  • Showed the supervised threshold space regulates the transition into death or vocation against a cosmological standard.

Abstract

This essay proposes two original analytical concepts — the disciplinary faithscape and the supervised threshold space — developed through a sustained engagement with Michel Foucault's spatial and epistemic analyses and applied to the sacred institutional geography of Varanasi, India. Reading Kashi Labh Mukti Bhawan (a death-residence admitting only those within days of death) and the Anandamayi Kanyapeeth (a formation ashram for girls oriented toward a threshold decision between renunciation and return) through Foucault's The Birth of the Clinic (1963) and Of Other Spaces (1986), the essay argues that these institutions operate not primarily as sites of devotional encounter but as regimes of organized observation, temporal discipline, and administered transition. The disciplinary faithscape names a sacred space organized around the sustained calibration of the devotional body over time; the supervised threshold space names the institutional mechanism through which passage — into death or vocation — is assessed, regulated, and validated against a cosmological norm. The essay further argues that while these institutions exhibit unmistakably biopolitical features, they cannot be reduced to Foucauldian biopower: the faithscape introduces a cosmological supplement in which moksha (liberation from the cycle of rebirth) constitutes a telos that exceeds the administrative reach of any institutional apparatus. Visual culture analysis — drawing on Robert Gardner's Forest of Bliss (1986), Dayanita Singh's photographic series I am as I am (1999), and original fieldwork photographs from Varanasi's ghats — deepens the theoretical argument throughout. The essay is a preprint developed alongside the doctoral thesis Faithscapes in Flux: Visual Culture Studies Along the Ganges (Ramesh, 2026, Nanyang Technological University Singapore).

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Cite This Study

R. Ramesh (2026) studied this question.

synapsesocial.com/papers/69f6e67c8071d4f1bdfc72c9https://doi.org/10.5281/zenodo.19947861
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