This study examines the hypothetical issue of the impact of ancient Egyptian beliefs on Africa as a whole. Several focal points are explored. These include (1). The situation of the discipline of folklore within allied academic specializations. (2). Culture diffusion within Africa, and (3). Spoken folk stories as the only field that integrates, in the space and time continuum, culture on the one hand, with its bearers/(society), on the other. (4). Beside the colonial past, the problem, is a result of a number of academic factors that include: (a). The establishment at universities of African studies departments that confine the continent to the sub-Saharan tier excluding Africa of the North; thus, folklore is isolated without a proper stage for studying it academically (see Dorson 1972); (b). The stereotyping concerning the capacity of scholars with unfamiliar names or recognized departmental membership as capable of dealing with theory or innovation, though some of their ideas are adopted by the famous without accrediting the source; (c). Ignoring the unfamiliarity for the family (especially under conditions of secrecy; cf. bias, ethnocentrism); and (d). Inadequacy of academic classroom pedagogy on the basics of verbal lore. Folklore in its original, mainly verbal branches, as represented by Stith Thompson’s monumental works on motif (1955–1958), and its predecessor by Antti Aarne on Type, (1910, 1928, 1961/1964), whose coverage, especially on Africa of the North, is seriously lacking in both the Type and Motif Indexes. The tracking of this line begins with recent calls for need for morphological studies of a South African tale (Dseagu 2001 2021). An association among various regions of Africa with ancient Egypt concerning mythological contacts merits this investigation.
Hasan El-Shamy (Thu,) studied this question.