PulseExploreJournal ClubDebatesTrendingResearchersJournals
Instagram
HomeExploreJournal ClubTrending
Synapse
⌘+K
Synapse
May 11, 20260 citationsOpen Access

Practice-Led Explorations of the Cape Coast Crab Motif in Tie-and-Dye and Kente Textiles

View Full Paper
OPObu Philomena

Key Points

  • This exploration aims to reconceptualize fabric workshops as sites of cultural knowledge and innovation based on the Oguaa crustacean motif.
  • Qualitative, creation-driven framework combining practical studio trials and historical reviews.
  • Engaged local artisans and cultural experts in guided conversations.
  • Conducted ideation, material testing, fabrication, and visual evaluation as primary investigative methods.
  • The workshop serves as a dynamic repository, preserving and innovating traditional symbols.
  • Crustacean emblem maintains cultural depth while aligning with modern visual styles.
  • The study contributes to discussions on creation-based investigative frameworks and cultural legacies.

Abstract

This scholarly article reconceptualizes the fabric workshop as a living repository—an active hub for generating and safeguarding ancestral wisdom. It achieves this through a hands-on examination of the Oguaa (Cape Coast) crustacean emblem, reimagining it via resist-dyeing and adapted Kente weaving methods. Deeply rooted in the ancestral heritage of Ghana's Cape Coast, the Oguaa Akoto crustacean embodies profound philosophical values like tenacity, flexibility, tactical brilliance, and collective endurance. Nevertheless, its modern integration within fabric artistry is a largely neglected area in academic literature. Utilizing a qualitative, creation-driven framework, this research combines practical studio trials as the core investigative tool with historical reviews and guided conversations involving local artisans and cultural experts within the Cape Coast metropolitan area. The creative journey—covering ideation, material testing, fabrication, and visual evaluation—operates as the primary method of discovering knowledge, rather than a mere secondary component. The outcomes demonstrate that the workshop acts as an evolving vault where traditional symbology is simultaneously conserved and reinvented. Expressed through resist-dyeing and woven Kente, the crustacean emblem preserves its intellectual profundity while adopting fresh visual styles that resonate with modern sociocultural dynamics. This inquiry enriches academic discourse on creation-based investigative frameworks, native epistemologies, and the capacity of tangible artifacts to uphold immaterial cultural legacies in present-day Ghanaian textile creation.

Ask AI
Helpful
Bookmark
Share
View Full Paper

Cite This Study

Obu Philomena (2026) studied this question.

synapsesocial.com/papers/6a0171ed3a9f334c28271f6ahttps://doi.org/10.5281/zenodo.20092520
Ask AI
Helpful
Bookmark
Share
View Full Paper