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May 13, 2026British Journal of Music Education0 citationsOpen Access

Entangled musicianship: rethinking music education and digital musical interactions through posthumanist theory

VKVictoria KinsellaAMAndrew McPherson

Key Points

  • The aim is to redefine inclusion in music education and digital interactions through a posthumanist lens.
  • Utilized posthuman and diffractive methodologies to analyze current paradigms in music education.
  • Investigated the relationship between pedagogy, technology, and access issues.
  • Informed by findings from an Arts and Humanities Research Council funded network.
  • Identified persistent disconnections in pedagogy and technology that affect inclusion in music education.
  • Proposed entangled musicianship as a concept to promote more ethical and responsive practices.
  • Emphasized relationality and intra-action as crucial elements in both musical learning and digital design.

Abstract

Abstract This paper develops entangled musicianship as a theoretical and conceptual orientation that rethinks inclusion at the intersection of music education, digital musical instrument (DMI) design and human-computer interaction (HCI). Drawing on findings from an Arts and Humanities Research Council (AHRC) funded network, it interrogates how disconnections between pedagogy, technology and access are sustained by humanist and cognitivist paradigms. Through a posthuman and diffractive methodology, the paper foregrounds relationality and intra-action as central to both musical learning and digital design. Entangled musicianship emerges as a provocation toward more ethical and responsive approaches to inclusion, offering a significant contribution to interdisciplinary discourse across music education, DMI and HCI.

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Cite This Study

Kinsella et al. (2026) studied this question.

synapsesocial.com/papers/6a04147679e20c90b4444752https://doi.org/10.1017/s0265051726100801
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