This article examines the intersection of sustainable craftsmanship and digital subcultures through the practice-based research of designer and creative director Xijia Cheng. Serving as a primary case study for contemporary ethical design, Cheng’s work demonstrates a novel methodology for transforming electronic waste and textile scraps into high-fashion sculptural garments through the integration of 3D digital patternmaking and zero-waste techniques.
Elizaveta Akimova (Mon,) studied this question.
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