This article examines the work and research methodology of Roman Zakharchenko, a scholar dedicated to the socio-cultural evolution of visual subcultures. By bridging the gap between street art, tattooing, and classical academic discourse, Zakharchenko’s work provides a comprehensive look at how marginal aesthetics transition into the global art canon. The discussion highlights his contributions to multiple scientific publications and his recent monograph, offering a unique perspective on the intersection of historical art forms and modern urban identity.
Elizaveta Akimova (Mon,) studied this question.