The article provides a comprehensive analysis of the social activities of the actress of the Imperial stage, E. I. Kuza. The most notable event in her biography occurred the day after Bloody Sunday. The incident was reported to the Ministry of the Imperial Court, and the actress faced the possibility of being exiled from the Mariinsky Theater, with the final decision remaining in the hands of the Emperor. The media coverage of her departure from the stage sparked widespread public interest and rumors. Thus, Kuza found herself in the right place at the right time, becoming a role model and symbol of the new era for many people. Her actions brought her instant popularity and support. She received applause at her concerts and received gifts that reflected her revolutionary spirit. Less than a year later, she returned to the imperial stage. This situation prompted the artists to reconsider the management structure of the imperial theaters, and the issue of reorganizing the artistic self-government was seriously considered. The artists became involved in social and political processes. During her time on the stage of the imperial theaters, Kuza was known for causing conflicts with her colleagues and the management of the imperial theaters, as well as for violating theatrical discipline. She also engaged in secret charitable activities, using her own funds. Despite her involvement in social and political processes, the artist contributed to the development of early 20th-century culture.
Alla-Maria Agilar (Thu,) studied this question.