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April 1, 20260 citationsOpen Access

Lacquer and Early Japanese Piano Manufacturing, ca. 1900s

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SISatsuki Inoue

Key Points

  • This paper aims to investigate the connection between lacquer techniques and early Japanese pianos. It emphasizes how these elements contributed to Japan's piano manufacturing success.
  • Analyzed the history of Japanese piano manufacturing pre-WWII
  • Examined the role of Torakusu Yamaha in piano production
  • Investigated the incorporation of traditional lacquer techniques
  • Japanese pianos were primarily finished in black lacquer before WWII.
  • Torakusu Yamaha initiated full-scale piano production after his visit to the US in 1900.
  • Traditional lacquer techniques allowed for a unique and appealing finish, enhancing export potential.

Abstract

This paper explores the previously neglected relationship between lacquer craftsmanship and early Japanese-made pianos. Before WWII, Japanese pianos were generally finished in black lacquer. In 1900, Torakusu Yamaha (1851-1916), founder of the Nippon Gakki Seizo Kabushiki Kaisha (since 1887, now Yamaha) in Hamamatsu, Japan, began full-scale piano production following his visit to the US the previous year. He incorporated maki-e and other arts and crafts elements into the pianos he displayed at both world and domestic exhibitions. The utilisation of traditional lacquer techniques, which provided a distinct and appealing exterior finish, was a key factor that enabled Japan to produce and export pianos shortly after 1900.

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Cite This Study

Satsuki Inoue (2025) studied this question.

synapsesocial.com/papers/69cd7b065652765b073a8a48https://doi.org/10.15002/00031511
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