Women Writers’ Perspective on War

Abstract This article presents a comparative analysis of a specific corpus that centers around women writers (translators and artists) as heroines, within the so-called ‘female continent’ in the post-Yugoslav fiction (a concept defined by Tijana Matijević in 2020). The analysis is centered around three different generations of women writers’ perspectives on the Yugoslav wars of the 1990s, in three contemporary novels published in the 2010s: Svetlana Slapšak’s Ravnoteža (2016, Engl. Equilibrium ), Ivančica Đerić’s Nesreća i stvarne potrebe (2012, Engl. Misfortune and Real Needs ), and Lana Bastašić’s Uhvati zeca (2018; Engl. translation Catch the Rabbit , 2021). The comparative analysis is done with respect to three ‘circles’ of interpretation: a) the literature on anti-war women’s writing; b) the literature on the theme of exile in post-Yugoslav fiction and c) the literature on the history of anti-war feminist organizing during the nineties.