Abstract All around Santiago, Chile, there are water towers known to citizens as Copas de Agua . These towers are recognised as modern industrial heritage and integral landmarks within the city’s urban landscape, contributing significantly to its cultural identity. This article presents strategies for exploring aural architecture by creating a new space defined by sound in motion within an existing architectural structure with unique morphological and acoustic characteristics through the medium of sound installation art. The project Polyphono , a multichannel sound installation located within the Copa de Agua of Quinta Bella, Chile, establishes a dialogue between three different spaces: the invisible space of the sound installation, the existing space of the water tower and the symbolic space of experience. In this process, an interior space of sound emerges within the physical space of acoustic reactions, which is experienced by the audience as aural architecture. This dynamic situation involves animating the monumentality of the water tower, transforming it through the performative action of the sound installation, thereby intensifying the historical significance of the site in physical, sensory, political and social terms. The outcomes are framed as a transitional space, from site-specific sound to aural architecture, creating an affective space for aesthetic experience.
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Sofía Balbontín
Organised Sound
Universidad de las Américas
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Sofía Balbontín (Wed,) studied this question.
www.synapsesocial.com/papers/69a75cdbc6e9836116a2611e — DOI: https://doi.org/10.1017/s1355771825100964